“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.

A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime regarding the belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be looked at as existential tales, absurdist parables, or premonitions about contemporary society’s hostility together with evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic science fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been seldom seen away from their native Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.

One of several largest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new digital restorations and brought in movie images. The series showcases most of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War regarding the Worlds: Next Century, a reimagining associated with the H.G. Wells novel as well as an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of a nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Also, the retrospective will emphasize Szulkin’s short movie work, such as the folklore-inspired morality play Dziewce z ciortem plus the documentary Working Women .

Presented in collaboration utilizing the Polish Cultural Institute ny.

Organized by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and are usually $15; $12 for pupils, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center people. Save with all the purchase of three seats or even more.

Acknowledgments: Polish Cultural Institute Ny; Daniel Bird

FILMS & DESCRIPTIONS All tests happen in the Walter Reade Theater (165 western 65th Street) unless otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for sexual satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, in addition to notion of the family that is nuclear.

Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life on the planet is now therefore wonderful that only prisoners can be used for the dangerous company of area exploration, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently condemned objective to a planet that is uncharted. Upon their arrival, he discovers a world curiously such as a dilapidated, postapocalyptic world, where he’s welcomed by the population as being a “hero,” an ignominious honor, he quickly learns, that accompany a many barbaric fate. Using the film’s title that is appropriately nonsensical the babble of their child child, Szulkin provides a bleakly acerbic commentary from the absurdity of life in a police state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in a few dystopian future, experts try to produce an innovative new, flexible battle of people. a apparently ordinary item associated with work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, happens to be known as a precursor to Blade Runner , but its name additionally looks back into a far more ancient misconception of creation and morality.

Preceded by: brand brand New electronic restoration The Gal additionally the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter utilizing the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is definitely a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) http://bestbrides.org/russian-brides/ seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute his very own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from a musician whom devoted his profession to lobbing grenades in the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm

brand brand New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the final vestiges of civilization. They’ve been spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned Soft (Jerzy Stuhr) as he tries to prevent collapse that is total. Doing work in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

Brand New electronic renovation The War of this Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles aimed at both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts because of the Christmastime takeover of Poland by way of a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) given that sound of the 1984 propaganda machine that is-esque. But once Iron dares to set off message, he makes an enemy also higher than the aliens: the state it self. Released just like Poland was being plunged into martial legislation and instantly prohibited, The War associated with Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm